Recently I purchased a pair of high-waisted jeans. Oh how I love that they suck my tummy in and I don’t have to continuously hike them up! I have been loving them so much I thought it would be great to have more tops to wear with them. The Papercut Coppelia Cardigan has been on my to-sew list for quite a while, and I decided now is the time. This silhouette is so flattering! Continue reading
And I decided I like it! This is an easy fitting top that I actually feel pretty comfortable in. This knit is so soft and hangs well in this style. And I love bright pink tops. That accent color is definitely in my color palette.
Before the end of the year I bought The Curated Closet and devoured it. It makes so much sense to work out a plan so you feel great in every outfit in your closet. And on my recent trip to the LA fashion district for fabric procurement it really kept me focused on the fabrics and colors I want to wear. Except for one piece of rather expensive peach/gold linen I bought. Not sure what came over me there! Sometimes that happens to me in fabric heaven. I am getting better, though.
Since I wasn’t sure about this trend I had not purchased an actual pattern specifically in this style. I tried on this top in Anthropologie and knew I liked the idea of it, but wanted to make it myself. You can see how transparent it is, and yet what can you wear under an off-the-shoulder top for modesty?
So I took a very simple peasant top pattern with raglan sleeves (Simplicity 4177 OOP), straightened off the top and folded it over for a casing and inserted elastic. You can see I didn’t cut down the neckline much because I knew I would be folding it over an inch and a half for my casing.
I love 3/4 sleeves, so I shortened those and made a mini casing for some comfortable elastic there. A very simple alteration that made the top feel customized. Long sleeves are silly here, and I knew I wanted to wear this if I could during summer. This week it reached 90 degrees, but I know the entire summer won’t be that oppressive and I’ll get to wear it. It would even look cute with shorts.
Now that I decided I like this trend, I went ahead and purchased Cynthia Rowley Simplicity 8124. I don’t know how necessary that pattern is, but I pretty much buy every Cynthia Rowley pattern and I do love the little romper. And I just noticed that the sample dress on the pattern is 3/4 sleeves! Cynthia and I, we think alike!
My one regret is my obvious and distracting tank top tan lines. Ugh. Since taking these photos I’ve remembered to apply sunscreen all over my shoulders before I go running. You would laugh harder if you saw my legs! A harsh shorts line mid-thigh and a less defined but still discernible one at my ankle.
And there is my handsome and helpful photographer reflected in the window. It is fun to have him in a shot with me! Where’s Waldo (I mean, Reid)?
I did a little scrapbusting! I get one million points for this, since I have soooooo much fabric in my stash and I want to sew with all of them immediately. But I did get to use this super fun neon athletic knit I picked up at the Swap Meet, so I got to try a new and use up the old. I’m feeling very saintly! Continue reading
I really think it is a good idea to try new styles and shapes. At my age, I can really fall into a rut of styles that I wear constantly. Yes, the wardrobe architect was a helpful exercise, but golly, how hard is it to figure out I like flowy tops, slim pants, shift dresses and wear mostly blues, grays with a bit of pink thrown in?
So the Seamwork Astoria is a fun experiment that turned out to surprisingly be a success! I really like this top, and I’ll tell you why – my other snug knit tops all get so tight around my hips and lower belly that they start rolling up and cause me to yank them down every other minute. I hate that. I hate fussing with my clothes in that way. Also, it doesn’t feel great to anyone when their clothes feel too small and their little tummy peeks out like Winnie the Pooh’s.
So, even though this top is cropped and I thought I would hate it, the lower band is shaped so the waistline is smaller and the bottom hem flares out a smidge, making it sit so nicely with no riding up! This is a genius innovation, IMO.
I made a size small and did a tiny forward shoulder adjustment. I also lengthened the bodice and sleeves and inch, as usual. My fabric is the world’s softest baby french terry – the stuff dreams are made of. It is a bit drapey to hold the neckline band, but who cares when it feels this yummy?
I wore it with these RTW shorts for pictures because it is too hot for anything else at this point, but it would look lovely with more volume on bottom. Perhaps a skirt or a pair of full culottes would look great. And jeans, always jeans.
Just the facts:
- Shaped bottom band keeps the Seamwork Astoria sitting correctly, making this cropped top totally wearable
- French terry is a delight to wear and I must find more
- Next on my list is a full skirt or culottes to create a totally new shaped outfit for me – I’m glad I’m branching out!
Just a addendum to mention that Episode 2 of Clothes Making Mavens is out. Lauren from Lladybird had such great insights on sewing, teaching and how she’s made some money with her super popular blog. She’s so much fun to listen to!
We have submitted the podcast to iTunes and a bunch of podcast players and are waiting for approval. We’d love to make it easier for you to listen. I’ll let you all know and list our links when that is all set!
I posted this on The Monthly Stitch last month, but it is worth sharing here because it turns out I really love this top. It was simple to make and it is easy to wear, and I’ve even been able to tuck it into my overall dress for the ultimate classic pairing of stripes and denim.
My new love is (slightly) cropped tops, but after the last 2 I whipped up I realized that I don’t have much for my bottom half with a higher waistband to go with them. That makes me sad, but don’t worry, I’ll make some new things! In the meantime, though, I want to embrace the emphasis on my waist so I added a double chiffon ruffle to the Seamwork Astoria sweater instead of the bottom band. It really changed the top and made it fun and flirty.
I guess I won’t need to provide a tutorial for how to do this one, right? Just a tedious and tiny hem on both ruffles and a slight gather at the top, then I added them to the top while I stretched it slightly so it will fit over my head. I did a nice job stripe matching across the sleeves, too, if I do say so. The side seams don’t match up exactly, but those seams are under my arms, so I can live with it. Since I serged those seams I really truly will live with it! I used the white stripe as the neckline to balance the white peplum at the bottom.
- Made a size Small with an inch added to both bodice and sleeves length (standard adjustment for me)
- My frill was about twice the width of the omitted bottom band, but 1.5 width would do fine, too.
- It is a different shape for me, since my tops are usually looser fitting, and I got rave reviews from several people (and especially my husband).
I was just in your face a week ago telling you how I loved my last dress, a Cynthia Rowley for Simplicity pattern, and here I am again with the same boring story! This time it is Simplicity 1366, which everyone else in the universe has tried and loved, so now it is my turn, damn it!
The pattern consists of a crazy skirt (would be fun to wear for an event, but not IRL so much), a spaghetti strapped bias camisole, and a perfectly cut boatneck boxy top. I dove in full throttle and made both the cami and the top, so this post is a two-fer.
First, the camisole is a really great basic pattern that could and should be made in every luxurious fabric you can get your hands on. My mystery fabric is some kind of crepe that flows and hugs in the most delightful way! The bias cut just makes the fit suburb.
I made skinny straps that I left round like spaghetti, and finished the top edge with self binding instead of the enclosed facing pieces. The facing would probably be quicker and easier, but I only had like 3/4 yard of this lovely fabric and bias garments eat fabric like crazy. My binding was very pieced together, but I made it work. For the bottom I just used the rolled hem on my serger. A word of warning – hang the top up on your dressform over night before hemming because it did distort, even just that tiny bit of fabric!
Then I moved onto the top. Another mysterious piece of crepey chiffon (sorry, I thrift shop and shop the LA fashion district and nothing is marked) but this one is much sheerer. It was also quite a bit harder to sew, but I still managed to do french seams on this sides. I had to just serge the armholes, though, because after going over the side seams twice while doing those french seams and feeling the shifty dance under my sewing foot, I knew I could not set a smooth sleeve if I tried to use french seams.
Then, when I tried it on, I saw that the fabric had shifted quite badly in one spot while I cut it and I had to even the hem out by nearly an inch. That almost made the top too short for long torsoed me, so I preserved length by serging and flipping the bottom hem. The neckline I finished with vintage pre-made bias binding. The leftovers from my last dress, actually.
Not much of a story to tell, except I love this pattern and Cynthia and I must rush out and get ever one she’s ever made and sew them up immediately! There is a reason this pattern is so popular, I can assure you!
- Bias cut camisole results in a such a beautiful fit that hugs and skims.
- The top is deceptively simple but so well cut. I didn’t bother reading the instructions, I just finished it the way I felt was best for the fabric.
- Here are some of my favorite iterations of this great pattern: Pippi, Elizabeth, and Lara’s sweater version.
I hate making muslins. I really do. If I make a muslin out of an ugly fabric while only sewing up the seams to check for fit, I never get the desired outcome. I know my skill at fitting is not advanced, so I cannot tell from those kinds of garments where to adjust, unless it is something easy and obvious, like length. But I don’t have to make a muslin to check for length, I can just hold the paper pattern up to my body or use a measureing tape. What seems to happen is I will make a pattern (not a muslin) and during the course of wearing it, the tweaks and adjustments needed make themselves known to me. Does anyone else do it this way? Continue reading
When I saw this pattern, I thought to myself “Look, Morgan read my mind! She has created the most perfect pattern. She knows my heart! We are one!”
I was right! It IS the perfect pattern for me. It has all my favorite elements…a V neck, made from a knit, a contrast yoke, soft gathers at the shoulders, a shaped hem, 3/4 sleeves. The possibilities for fabric pairing are so exciting! I can make it dressy, but it is knit, so it will still be wearable. Continue reading
Gingham declares summer, don’t you think? So I feel this is a perfect start to the spring/summer wardrobe that I’m creating. Continue reading
I really like the versatile and comprehensive pattern McCalls 6711. I have made the dress, muslined the jacket, and I like both the skirt and pants. And now I’ve made the blouse (which is just a shortened version of the dress). If it goes on sale I may buy another copy to have on hand!